13+10,18 & 17+25 /J.Gui
13+10,18 & 17+25 /J.Gui makes a few neat sounds. When 13+10 and 13+18 are ohm'd down to close to a threshold, these sounds interact and can sometimes produce interesting variations. Later in the piece, with the keys C3-Ab3 individually sustained, 31+27,29 can 'capture' the release of these notes. This causes a kind of polyrhythmic echo. Because each note has a different sample length, each note will loop at different lengths. 10+19 is then ohm'd down to a threshold, causing the loops to also have a long attack. Further ohming 10+19 to another threshold then causes each note to rise in pitch dramatically. Finally, 27+31 is disengaged to break the loops and allow it to decay.